Elisa Bertaglia (b. 1983, Rovigo, IT. Lives and works in Brooklyn, NY)
Elisa Bertaglia obtained an MFA in Painting from the Academy of Fine Arts in Venice, Italy in 2009, after receiving her BFA in Painting from the same institution in 2006. In 2025, she furthered her professional development by undertaking Basics and Challenges with Katie Bosley Sabin at the Office for the Arts, Harvard University, and by participating in the Community Ceramics Program at the Teachers College, Columbia University.
Elisa Bertaglia presented her third solo exhibition The Rest at SARAHCROWN, New York, and a two-person exhibition at the Institute for Classical Architecture and Art, New York (2025). In 2024, her work was featured at Kiaf Seoul, South Korea, alongside exhibitions such as Curses, Spells and Other Magics at Martina Corbetta Gallery in Giussano IT, curated by Gianluca Ranzi, and Fastentuch at San Peter am Perlach, Augsburg (DE), curated by Martin Ziegelmayr. In 2023, she presented her second solo show with SARAHCROWN, titled A Dance, and and in Les Simulacres at Martina Corbetta Gallery, curated by Rossella Farinotti, as well as presenting work at Residency Unlimited in Brooklyn (NY) and the Fattori Museum in Livorno (IT).
Bertaglia has exhibited internationally in galleries, museums, and institutions since 2008, including Palazzo Madama, Turin; the Museum of Modern and Contemporary Art, Saitama; the Bronx Museum, NY; the Guggenheim Museum, Venice; and the Borges Cultural Center, Buenos Aires. Elisa Bertaglia has undertaken numerous international residencies that have contributed to the development of her practice across diverse contexts, including the Institute for Classical Architecture and Art (ICAA), New York (2025); Residency Unlimited, Brooklyn (2023); Kunstraum LLC (2022); ESKFF residency at MANA Contemporary, Jersey City (2016); Officine Saffi, Milan (2017); Atipografia, Arzignano (2015), curated by Petra Cason and Elena Dal Molin; Casa Falconieri, Serdiana (2015); Progetto Borca E ultimo venne il Bosco, former ENI Village, Borca di Cadore (2014); and Dolomiti Contemporanee, Nuovo Spazio Museum, Casso (2013), just to name a few. For full resume, please conact us.
CV | Publications | Catalogue
Exhibitions/Fairs with the Gallery
NADA Art Fair, New York | May 2026
The Rest, SARAHCROWN New York | November 2025
In the Studio with Elisa Bertaglia (interview), SARAHCROWN Platform | October 2025
Kiaf Art Fair, booth of SARAHCROWN New York | September 2024
ART IN LOBBIES: Liminal Landscapes, SARAHCROWN, New York | September 2024
Kiaf Art Fair, booth of SARAHCROWN New York | September 2023
A Dance, SARAHCROWN New York | September 2023
INTRODUCING FLAT FILES, SARAHCROWN Gallery, New York | February 2023
LAZY, HAZY, CRAZY DAYS OF SUMMER, SARAHCROWN, New York | June 2022
HIC SUNT DRACONES, SARAHCROWN, New York | September 2021
The Rest, 35 1/2x25 1/2 in, oil and pencil on canvas, 2025
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The Rest, 12x9 in, oil on peper, 2025
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The Rest, 14 1/2x11 in, oil on canvas, 2025
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The Rest (Tapinu 'e mortu), 51 1/4x39 1/2 in, pencil on canvas, 2025
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A Dance #4, 6x4 in, oil on rose gold, 14kt, 2023
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A Dance #9, 6x4 in, oil on rose gold, 14kt, 2023
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A Dance #2, 6x4 in, oil on rose gold 14 kt, 2023
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Corpo Celeste #1, 2022, Oil on 10k gold plate, 8 x 8 in.
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A Dance #6, 2023, Oil on 14kt rose gold plate, 6 x 4 in.
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A Dance #5, 2023, Oil on 14kt rose gold plate, 6 x 4 in.
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Corpo Celeste, 2022, Oil on rose gold, 6 x 4 in.
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Brambles I, 2022, oil and marker on acid-free paper, 12 x 9 in.
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Brambles II, 2022, oil and marker on acid-free paper, 12 x 9 in.
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Danse Macabre 24, 2022, oil on copper, 7 x 5 in.
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Hic Sunt Dracones, 2020, oil, pastels and graphite on acid-free paper, 12x9 in
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The Dragon and I, 2020, graphite on four overlapped transparent polyester sheets, 9 x 6 in.
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Corpo Celeste, 2022, Oil on rose gold, 6 x 4 in.
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Transitory, 2022, oil on copper, 10 x 8 in.
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Corpo Celeste, 2022, Oil on rose gold, 6 x 4 in.
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Danse Macabre 20, 2022, oil on copper, 10 x 8 in.
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Danse Macabre 23, 2022, oil on copper, 7 x 5 in.
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Corpo Celeste, 2022, Oil on rose gold, 6 x 4 in.
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Installation view, Elisa Bertaglia: Hic Sunt Dracones September 16, 2021 – January 15, 2022.
Hic Sunt Dracones, 2020, oil, charcoal and graphite on canvas, 43.25x35.5 in
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Singing Over the Bones, 2020, oil and graphite on cardboard, 9 x 6.5 in.
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Corpo Celeste, 2022, Oil on rose gold, 6 x 4 in.
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Untitled, 2022, diptych, oil on paper, 12 x 17 in. (12 x 9 in. each)
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Danse Macabre 21, 2022, oil on copper, 7 x 5 in.
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Corpo Celeste, 2022, Oil on rose gold, 6 x 4 in.
Hic Sunt Dracones, 2021, oil and graphite on canvas, 43.25x35.50 in
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The Dragon and I, 2020, graphite on four overlapped transparent polyester sheets, 9 x 6 in.
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Hic Sunt Dracones, 2020, oil, charcoal and graphite on cardboard, 8.5 x 6 in.
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Hic Sunt Dracones, 2020, oil on acid-free paper, 12 x 9 in.
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The Dragon and I, 2020, graphite on four overlapped transparent polyester sheets, 9 x 6 in.
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Hortensias, 2022, Oil on yellow gold plate, 6 x 4 in.
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Hic sunt Dracones, 2020, Oil, charcoal and graphite on acid-free paper, 12 x 9 in.
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Hic sunt Dracones (#1), 2020, oil, charcoal and graphite on acid-free paper, 12 x 9 in.
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A Dance #4, 2023, 6x4 in, oil on rose gold, 14kt, 6 x 4 in.
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A Dance #9, 6x4 in, oil on rose gold, 14kt, 2023
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Enchantment, 2024, oil on engraved 14kt rose-gold plates, 10 x 8 in.
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The Dragon and I (#1), 2024, graphite on overlapped transparent polyester sheets, 23 x 15.25 cm.
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The Dragon and I (#2), 2024, graphite on overlapped transparent polyester sheets, 23x15.25 cm.
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